Elvis Presley’s name has been circulating the news in light of a new musical, drama film debuting this summer simply titled, Elvis. The late, great “King of Rock and Roll” is known most for his signature sound and unforgettable dance moves. However, the Black community recognizes him as a musical thief, stealing from lesser known Blues artists.
The upcoming film Elvis will explore Elvis Presley rise to fame in the 1950s while maintaining a complex relationship with his manager, Colonel Tom Parker. It is set to debut in theaters June 24th.
Presley has had an affinity for Black music and culture since he was born in Tupelo, Mississippi. He grew up on the Black side of town. Presley would later run with the likes of Ike Turner and B.B. King. It is evident that Black musicians greatly influenced him, yet because of his whiteness, doors were opened for him that were not available to Black musicians.
“I always wanted to sing like Billy Kenny of the Ink Spots,” Presley told Jet Magazine in 1957 according to The Daily Beast. “I like that high, smooth style. I never sang like this in my life until I made that first record—‘That’s Alright, Mama.’ I remembered that song because I heard Arthur (Big Boy) Crudup sing it and I thought I would like to try it.”
It is widely known that Presley stole one of his biggest hits, “Hound Dog” from talented, Black vocalist, Big Mama Thornton. Prominent musicians and producers explained their personal encounters with the Rock and Roll star. Some called Presley a friend and even brother, like James Brown. While others referred to him as a crook, who’s entire discography was built off the backs and skills of Black folks.
Legendary producer and musician, Quincy Jones, shared his personal interaction with Presley, which left a bad taste in his mouth.
“No. I wouldn’t work with him,” Jones told The Hollywood Reporter. “I was writing for [orchestra leader] Tommy Dorsey, oh God, back then in the ’50s. And Elvis came in, and Tommy said, ‘I don’t want to play with him.’ He was a racist mother — I’m going to shut up now. But every time I saw Elvis, he was being coached by [“Don’t Be Cruel” songwriter] Otis Blackwell, telling him how to sing.”
Surely, Presley wasn’t the first nor the last White artist to build his fame or legacy at the hands of Black people. There is no real justice the artists he has stolen from can receive now that they are gone. Still, we honor Black Music Month in their memory by highlighting the many artists Elvis Presley stole from throughout his career in the gallery below.
1. Big Mama Thornton – “Hound Dog”
Source:YouTube
Not Elvis thought he was doing something with his version. Tuh!
2. Lloyd Price – “Lawdy Miss Clawdy”
Source:YouTube
Black artists add the soul that Presley and other White artists wish they could contribute to a record.
3. Chuck Berry – “Memphis, Tennessee”
Source:YouTube
Elvis sang quite a few of Berry’s hits like Memphis, Tennessee, Maybelline and Johnny B Goode. Like sir, one wasn’t enough?
4. Lavern Baker – “Tweedle Dee”
Source:YouTube
What’s missing from Elvis’ version of “Tweedle Dee” — innate talent.
5. Ray Charles – “What’d I Say”
Source:YouTube
Actually never knew this was anyone else’s song but Mr. Charles. Nice try though Elvis. Elvis’s version is from the movie Viva Las Vegas, which has him playing at some sort of whites-only dance party. Gross.
6. Roy Hamilton – “Unchained Melody”
Source:YouTube
Hamilton was a huge influence on Elvis’s ballad singing. His version sounds nearly the same as Hamilton’s.
7. Arthur “Big Boy” Crudup – “So Glad You’re Mine”
Source:YouTube
Big Boy Crudup will give you the slow and smooth blues. Meanwhile, Presley speeds up his classics with his interpretation of “blues” meets “rock and roll.”
8. Junior Parker – “Mystery Train”
Source:YouTube
Once again, a faster version of the exact same song is Elvis Presley’s watered-down rendition.
9. Fats Domino “Ain’t That A Shame”
Source:YouTube
It is said that Fats Domino was such a huge influence on Elvis that when he was around, Elvis didn’t like to be called “The King”.
10. Arthur Gunter – “Baby Let’s Play House”
Source:YouTube
It’s just crazy that the man didn’t even bother to change any lyrics or the title. He just downright stole the music from these artists. Wild. Here’s Presley’s version.







3 comments
Thanks for that history lesson. I had no idea.
I’d like to hear your opinion on why Beyonce was able to sing Max Martin’s songs better than him.
Do you think talent isn’t a racial thing. Do you think that Beyonce, like Elvis is just so much more talented than the people who wrote the songs? Because I’ve listened to hound dog by Big Mama, and it isn’t very good.
This article is very poorly researched and is overwhelmingly inaccurate. Big Mama Thornton was given Hound Dog to *sing by the two White, Jewish men (Lieber & Stoller) who wrote it and offered her a writing credit and $500 to *sing it in 1952, but someone messed up the publishing and nobody got credited for four years. Fast forward to 1956, between 6-10 covers had already been made of Lieber & Stoller’s hit song, BMT’s blues version sold 500,000 copies and spent I think 8 weeks at #1 on the “race charts” (then changed to R&B charts by billboard in the US). Then Elvis saw Freddie Bell & The Bellboy’s sing a faster, rockier version in Las Vegas and wanted to cover it. Nobody minded the other covers of “Big Mama’s song” (although she didn’t write any of it). Then Elvis recorded it and it sold 10M copies, finally Lieber & Stoller got paid a nice fat cheque becasue it is the songwriter’s that get paid royalties, not the person who *sings it. They decided they liked their millions and didn’t give BMT a credit and as I have researched, never gave her another penny. They shafted her, not Elvis. “Hound Dog” co-writer Mike Stoller has refuted claims that Elvis Presley ’s version of the classic rock’n’roll song was stolen from Big Mama Thornton.” She didn’t write it and claimed Elvis stole her song. It’s sad, but she was misguided rather than lying. In any case, the songwriter’s only got paid because Elvis covered The Bellboy’s version, slightly different words and not aimed at a man.
Next, Elvis recorded approximately 761 songs in his lifetime, above you named only ten specifics. I’d argue there could be upto 40 but I can’t name them all here. Overall that is min 1% to 4% of his songs were “stolen” but what you really mean is *covered, which happens everyday with all artists. And artists, Black & White cover songs everyday and nothing is made of it. Just so happens some people have got a severe hatred which is amplified by Chuck D’s lie on his track where he admitted scapegoating Elvis (I think he was right about John Wayne), and later had to admit he had to sell records so he used a big name, Elvis. Crappy thing to do, and he’s lost a mountain of respect and credibility but he sold his records off the back of a dead man.
Quincey Jones was also a liar. What actually happened is that he wanted to play trumpet on Elvis’s Dorsey Bros show and Elvis said he didn’t need one. That’s all. There is no documented proof that Elvis ever said any more to QJ and all of the Black legends and colleagues all said the same, Elvis wasn’t like that with Black people. He was one of the only big stars of his time openly crediting Black artists and Black music and publicly showing respect to them. See the WDIA fundraiser events he attended two years in a row where he sneaked backstage to support his friend BB King who was a DJ on the radio station at the time, as was Rufus Thomas. He was photographed there with Junior Parker, Bill Ward, BB, Carla Thomas met him there. This is all checkable info if you get a copy of Beale Black and Blue, Mckee & Chisenhall. The interviews of Nat D Williams, Robert Henry and others are detailed in there. They actually knew Elvis.
Roy Hamilton, beautiful man with a big baritone voice and a huge vocal idol of Elvis’. They met when they both recorded at the same time at American Sound Studios, 1969. They got on brilliantly, (Roy’s son says there are photo’s at Elvis’ house when his dad went to give Elvis vocal coaching, but others contest this. I can’t verify it for sure). Elvis was meant to record Angelica but thought Roy could sing it better (likely right, but Roy was a classically trained baritone). Anyway I never heard Elvis sing like Roy until after 1969 when his voice had grown and deepened. Elvis only sang in Roy’s style when he *covered Roy’s songs (Hurt, Unchained Melody, You’ll Never Walk Alone, and he didn’t sing You Can Have Her like Roy, live in 1977). Sadly, Roy suffered a cerebral haemorrhage and spent 7 days in hospital. Tony Orlando confirmed that he and Elvis were at his bedside at the time. The Hamilton’s confirmed Elvis covered the medical bills (as he did with Jackie Wilson), the funeral expenses and sent “royalty cheques” to Myrna Hamilton to feed the children. The cheques continued being sent by Elvis’s estate until the year 2000.
Otis Blackwell, a prolific songwriter but short, thick glasses and he didn’t look the part (unlike Roy who could’ve been a model), he too wrote for Roy and it is said that the song sounds like what Elvis “stole” although he wrote the songs. Otis was on a five year contract to write for Presley, and he went on Letterman playing up to Elvis stole… but then he was honest and said he’d never met EP, and didn’t want to jinx a good thing. he sent demo tapes in ELVIS’S STYLE because he was desperate for Elvis to record his songs (all songwriters wanted him to make them a hit record).
I found all of this out because I wanted to know the source of the accusations and to see if he really was a song thief and a lucky white boy. No, to all of those. I found the total opposite, and these quotes:
“He called me Sir and I liked that” BB King.
“You ain’t gon tell me nothing about Elvis, I know Elvis and I love him like a brother.” James Brown
“He’s my baby, you don’t tell me about Elvis Presley he did a lot for me and he’s my baby… By singin my song he made it bigger and made me bigger.” Little Richard.
In time, after Elvis died and the pay still hadn’t caught up with what Elvis made they felt the resentment of course. But none of these guys degraded Elvis’s talent. They all knew each other. Elvis was a friend to Black society and a nice guy.