In February 1983, the Associated Press profiled a woman named Christine Farrell, described in the headline as a “comic-crazed collector” from Burlington, Vermont, who “lives in a land of simple truths, where swashbuckling superheroes match wits with the world’s most cunning criminals.” Farrell showed off a handful of first-edition treasures, including her Superman No. 1, but said she didn’t collect comics because they might one day become valuable. She just liked to read them.
“Everybody needs an outlet of some kind or other,” Farrell told the Associated Press. “You project yourself into a fantasy world where the superhero always wins. It’s an escape.”
At the time, the AP reported that Farrell had about 8,000 comics “crammed into cartons stacked to the ceiling in an upstairs bedroom.” By the time she died in April of this year, her collection had grown exponentially: In her basement vault and scattered throughout her house, Farrell left behind tens of thousands of books, among them nearly every single one DC Comics had ever published, beginning with 1935’s New Fun Comics No. 1 and including 1940’s Double Action Comics No. 2, of which there are only seven copies said to have survived.
Farrell, who told the AP she funded her hobby “on the earnings of a family-owned bottling business,” began her quest in 1970 and completed it in 2007. Farrell even loaned her books to DC when they couldn’t find copies to make reprints. Yet outside of the AP profile and another by a small New York PBS outlet a decade later, Farrell granted few interviews and was never identified publicly as the keeper of this DC collection. Over time, her valuable and vaunted assemblage became “shrouded in mystery,” as the Vermont alternative weekly Seven Days wrote in 2022.
Now, that mystery is no more: From October 25-26, Heritage will present The Christine Farrell Complete DC Collection, an auction featuring nearly 500 comic books, including some of comicdom’s rarest, and works of original comic art, including key pages from Bernie Wrightson’s Swamp Thing No. 1 and Frank Miller’s Batman: The Dark Knight Returns No 4. Bidding is now open, and Heritage will present books from Farrell’s collection well into the summer of 2025, says Heritage Auctions Vice President Lon Allen.
“Her dedication was simply remarkable,” Allen says. “She did most of this pre-internet! Now, you could put that collection together in several years if you had the money. But back then, tracking down every book took real devotion. And she did not own a single graded or certified book. They were in mylar sleeves, in boxes, sometimes in piles. It was clear that she just wanted to read these books, no matter how many thousands of dollars they were worth.”
Allen sent those books from Farrell’s collection to Certified Guaranty Company – and many returned with some of the highest grades ever given to some of the Golden Age’s rarest and most sought-after books. Heritage began offering some of Farrell’s books at the end of September, including a Conserved Fine+ 6.5 copy of 1935’s New Comics No. 1 that realized nearly $8,000.
“Her collection is already doing really well,” Allen says. “I knew it would, because it’s rare and fantastic.”
There are numerous Golden Age keys in this event, including restored copies of Action Comics No. 1 and Superman No.1, a Fine+ 6.5 copy of Detective Comics No. 38 (Robin’s debut), a restored Very Fine- 7.5 All Star Comics No. 3 (the first appearance of the Justice Society of America) and a Very Good/Fine 5.0 copy of Flash Comics No. 1. But what’s most notable about Farrell’s collection are its numerous and estimable rarities, the books rated 8s, 9s and 10s in Ernst and Mary Gerber’s definitive Photo-Journal Guide to Comic Books’ Scarcity Index – those issues and titles seldom seen at auction or anywhere else.
That Double Action Comics No. 2 is such a rare book there has long been some disagreement about whether it was one of a handful of ashcan copies made “purely for trademark and copyright registration” (as DC noted in its 75th-anniversary history The Art of Modern Mythmaking) or a limited-distribution test product made to see whether customers would buy black-and-white reprints of other comics. Farrell didn’t care either way: The book, deemed a 10 on the Photo-Journal Guide to Comic Books’ Scarcity Index, was a DC title, so it had to be in her collection, no matter how long it took to track it down.
Here, too, are copies of Detective Comics No. 2 (a Very Good+ 4.5) and No. 3 (Good/Very Good 3.0), both of which The Photo-Journal Guide to Comic Books rates as very-rare 9s on its Scarcity Index. The former is one of only five unrestored copies Heritage has seen graded higher than Good- 1.8; the latter is so rare CGC has graded only 17 copies.
And despite Farrell’s desire to read rather than merely stash and store these books, many of her comics came back as some of the highest-graded copies on the CGC population reports, among them an All-Star Comics No. 32 graded Near Mint+ 9.6; an Action Comics No. 182 graded Very Fine/Near Mint 9.0; the sole copy of All-Flash No. 6 to come in at Near Mint- 9.2; and a Superman No.49 graded Near Mint- 9.2. That is but a fraction of a fraction of the top-graded comic books in this historic event, beauties among the rarities, each desirable by casual collectors and completists for whom this auction will be the first – and, perhaps, last – chance to attempt to assemble a collection with Farrell’s fortitude and care.
Farrell’s friend of nearly four decades, comics dealer Joe Verenault, says Farrell seldom spoke of her collection simply because “she was a very private person by her nature.”
Says Verenault, “Chris loved this particular company of comics, DC, and she did it for that reason alone. The fact that it turned out to be such a hard achievement and that they became staggeringly valuable was really secondary to her. But she was very, very pleased at how appreciated it was in the hobby that she had done such a thing.”
Yet even though she owned a beloved comic shop in Burlington called Earth Prime Comics, until now, the public has had no real idea of what she had accomplished.
Farrell was always adamant: “I do not intend to sell the collection,” she told a small PBS station in 1995 when its reporter traveled across Lake Champlain to interview her and browse the piles of history scattered around her house.
In truth, she loved the comic books more than how valuable they were. “That was the more important thing,” Verenault says.
As a result, says Lon Allen, who’s handled more comic books than a printing press: “This would have to be, by far, the best-assembled collection I’ve ever gone through.”
“Everybody needs an outlet of some kind or other,” Farrell told the Associated Press. “You project yourself into a fantasy world where the superhero always wins. It’s an escape.”
At the time, the AP reported that Farrell had about 8,000 comics “crammed into cartons stacked to the ceiling in an upstairs bedroom.” By the time she died in April of this year, her collection had grown exponentially: In her basement vault and scattered throughout her house, Farrell left behind tens of thousands of books, among them nearly every single one DC Comics had ever published, beginning with 1935’s New Fun Comics No. 1 and including 1940’s Double Action Comics No. 2, of which there are only seven copies said to have survived.
Farrell, who told the AP she funded her hobby “on the earnings of a family-owned bottling business,” began her quest in 1970 and completed it in 2007. Farrell even loaned her books to DC when they couldn’t find copies to make reprints. Yet outside of the AP profile and another by a small New York PBS outlet a decade later, Farrell granted few interviews and was never identified publicly as the keeper of this DC collection. Over time, her valuable and vaunted assemblage became “shrouded in mystery,” as the Vermont alternative weekly Seven Days wrote in 2022.
Now, that mystery is no more: From October 25-26, Heritage will present The Christine Farrell Complete DC Collection, an auction featuring nearly 500 comic books, including some of comicdom’s rarest, and works of original comic art, including key pages from Bernie Wrightson’s Swamp Thing No. 1 and Frank Miller’s Batman: The Dark Knight Returns No 4. Bidding is now open, and Heritage will present books from Farrell’s collection well into the summer of 2025, says Heritage Auctions Vice President Lon Allen.
“Her dedication was simply remarkable,” Allen says. “She did most of this pre-internet! Now, you could put that collection together in several years if you had the money. But back then, tracking down every book took real devotion. And she did not own a single graded or certified book. They were in mylar sleeves, in boxes, sometimes in piles. It was clear that she just wanted to read these books, no matter how many thousands of dollars they were worth.”
Allen sent those books from Farrell’s collection to Certified Guaranty Company – and many returned with some of the highest grades ever given to some of the Golden Age’s rarest and most sought-after books. Heritage began offering some of Farrell’s books at the end of September, including a Conserved Fine+ 6.5 copy of 1935’s New Comics No. 1 that realized nearly $8,000.
“Her collection is already doing really well,” Allen says. “I knew it would, because it’s rare and fantastic.”
There are numerous Golden Age keys in this event, including restored copies of Action Comics No. 1 and Superman No.1, a Fine+ 6.5 copy of Detective Comics No. 38 (Robin’s debut), a restored Very Fine- 7.5 All Star Comics No. 3 (the first appearance of the Justice Society of America) and a Very Good/Fine 5.0 copy of Flash Comics No. 1. But what’s most notable about Farrell’s collection are its numerous and estimable rarities, the books rated 8s, 9s and 10s in Ernst and Mary Gerber’s definitive Photo-Journal Guide to Comic Books’ Scarcity Index – those issues and titles seldom seen at auction or anywhere else.
That Double Action Comics No. 2 is such a rare book there has long been some disagreement about whether it was one of a handful of ashcan copies made “purely for trademark and copyright registration” (as DC noted in its 75th-anniversary history The Art of Modern Mythmaking) or a limited-distribution test product made to see whether customers would buy black-and-white reprints of other comics. Farrell didn’t care either way: The book, deemed a 10 on the Photo-Journal Guide to Comic Books’ Scarcity Index, was a DC title, so it had to be in her collection, no matter how long it took to track it down.
Here, too, are copies of Detective Comics No. 2 (a Very Good+ 4.5) and No. 3 (Good/Very Good 3.0), both of which The Photo-Journal Guide to Comic Books rates as very-rare 9s on its Scarcity Index. The former is one of only five unrestored copies Heritage has seen graded higher than Good- 1.8; the latter is so rare CGC has graded only 17 copies.
And despite Farrell’s desire to read rather than merely stash and store these books, many of her comics came back as some of the highest-graded copies on the CGC population reports, among them an All-Star Comics No. 32 graded Near Mint+ 9.6; an Action Comics No. 182 graded Very Fine/Near Mint 9.0; the sole copy of All-Flash No. 6 to come in at Near Mint- 9.2; and a Superman No.49 graded Near Mint- 9.2. That is but a fraction of a fraction of the top-graded comic books in this historic event, beauties among the rarities, each desirable by casual collectors and completists for whom this auction will be the first – and, perhaps, last – chance to attempt to assemble a collection with Farrell’s fortitude and care.
Farrell’s friend of nearly four decades, comics dealer Joe Verenault, says Farrell seldom spoke of her collection simply because “she was a very private person by her nature.”
Says Verenault, “Chris loved this particular company of comics, DC, and she did it for that reason alone. The fact that it turned out to be such a hard achievement and that they became staggeringly valuable was really secondary to her. But she was very, very pleased at how appreciated it was in the hobby that she had done such a thing.”
Yet even though she owned a beloved comic shop in Burlington called Earth Prime Comics, until now, the public has had no real idea of what she had accomplished.
Farrell was always adamant: “I do not intend to sell the collection,” she told a small PBS station in 1995 when its reporter traveled across Lake Champlain to interview her and browse the piles of history scattered around her house.
In truth, she loved the comic books more than how valuable they were. “That was the more important thing,” Verenault says.
As a result, says Lon Allen, who’s handled more comic books than a printing press: “This would have to be, by far, the best-assembled collection I’ve ever gone through.”
