The controversy over the amended 6th Broadcast Code recently released by the National Broadcasting Commission (NBC) will not go away anytime soon as Nobel Laureate, Professor Wole Soyinka thoroughly condemned it on Tuesday.
In a short statement entitled ‘That NBC Regulatory Code’, Professor Soyinka asked the Muhammadu Buhari administration to admit that it has declared war against the arts and creatives.
He noted that rather than uplift the arts and complement the efforts of producers, the government has been working against its growth with poorly conceived policies.
Professor Soyinka explained that while some of the NBC regulations are well-intentioned, the unintended consequences are cause for concern.
His short statement reads: “I think it is about time the government come out openly and admit that it has declared war against the Arts and its producers, instead of its present tactics of piecemeal attrition. Just when we were reeling from the action of the Ministry of Youth and Development in joining hands with book pirates by providing a free-loading portal for the works of Nigerian authors, among others, along comes a new regulatory hit against the cinema and video enterprise and its operators. Let me quickly utilise the opening of this new flank to commend the Director-General of the Nigerian Copyright Commission for his prompt attention to the complaint by Nigerian authors.
“And now it is the turn of a sister industry to be placed under siege! I have just read excerpts of the newly proposed NBC broadcasting code and become aware of some potentially dangerous aspects of the Code. Whilst one concedes that some of the regulations are well-intentioned, I shudder to imagine unintended consequences such as backhanded censorship in the age of digital media. These restrict intellectual property rights and their scope of exploitation with whomsoever one chooses to collaborate. It is economic sabotage writ large, directed against thousands of practitioners. Regulatory? This is strangulatory in effect!
“Several practitioners’ voices have been raised in protest. For one such insider’s detailed and passionate exposition on the deleterious provisions of this Code, I shall draw particular attention of policymakers to Chris Ihidero’s Why Does the NBC Want to Kill Local Content in Nigeria? If I may invoke a contemporary tragic image to render graphically what Ihidero and others have pleaded on behalf of both creators and consumers of this artistic productivity:
“Let government kindly take its knee off the neck of this industry. Please – let it breathe!”