Award-winning Nigerian filmmaker Kunle Afolayan has stated that he once directed a movie without understanding its storyline.
Afolayan stated this while narrating his work experience at the third edition of KAP Film & Television Academy’s Reel Circle.
He narrated: “I was asked to direct something I know nothing about. I tried to bail out but I was convinced that I could do it. But I knew I didn’t know what I was going to do. I didn’t understand the storyline. It is an installation film; even at the time, I did not know what the installation film was.
“I read the script and I did not understand it. I called Biodun Aleja (may his soul rest in peace). He read it and said, ‘This is crazy,’ and then a few other people. I spoke to the person who introduced me to the project that, ‘Can I meet with the producer? Maybe if she shares her vision, I would get it.’
“Then he flew me to London and we sat for like two hours and she was talking. She showed me her showreel and I knew there was a problem because the showreel didn’t make sense. It was a complete abstract installation; people just doing weird things and I am a narrative director. Then I called the link and said, ‘I am not doing this. I would not even know what to say.’
“But he was like, ‘You have to do it; they are paying you $40,000.’ But I was like, ‘Let us do an adaptation of a scene.’ But even with it, I didn’t know what to adapt. But because Biodun Aleja was there—he studied Performing Arts, so his literature is stronger—and I was like, ‘Look, we have to find a way. They are flying us to Miami and Chicago; we cannot turn that down.’
“They did this and we went, we filmed in like the oldest museum. I was the director and there were five trucks of equipment. It’s like someone throwing you into the ocean and asking you to start swimming.
“Up till now, I did not understand the story. There was no story. If I watch it again, I am like, ‘What was the story?’ But guess what? They flew me in business class to five countries to premiere the film in 2007.”
Afolayan stated this while narrating his work experience at the third edition of KAP Film & Television Academy’s Reel Circle.
He narrated: “I was asked to direct something I know nothing about. I tried to bail out but I was convinced that I could do it. But I knew I didn’t know what I was going to do. I didn’t understand the storyline. It is an installation film; even at the time, I did not know what the installation film was.
“I read the script and I did not understand it. I called Biodun Aleja (may his soul rest in peace). He read it and said, ‘This is crazy,’ and then a few other people. I spoke to the person who introduced me to the project that, ‘Can I meet with the producer? Maybe if she shares her vision, I would get it.’
“Then he flew me to London and we sat for like two hours and she was talking. She showed me her showreel and I knew there was a problem because the showreel didn’t make sense. It was a complete abstract installation; people just doing weird things and I am a narrative director. Then I called the link and said, ‘I am not doing this. I would not even know what to say.’
“But he was like, ‘You have to do it; they are paying you $40,000.’ But I was like, ‘Let us do an adaptation of a scene.’ But even with it, I didn’t know what to adapt. But because Biodun Aleja was there—he studied Performing Arts, so his literature is stronger—and I was like, ‘Look, we have to find a way. They are flying us to Miami and Chicago; we cannot turn that down.’
“They did this and we went, we filmed in like the oldest museum. I was the director and there were five trucks of equipment. It’s like someone throwing you into the ocean and asking you to start swimming.
“Up till now, I did not understand the story. There was no story. If I watch it again, I am like, ‘What was the story?’ But guess what? They flew me in business class to five countries to premiere the film in 2007.”
