Early photography is ripe with creative fictions. Actors, children, aristocrats, models, artists, psychiatric patients, maids, and all manner of the working class posed in front of cameras and were transformed into figures from history, literature, the Bible, or into an idealized version of themselves. Still Performing: Costume, Gesture, and Expression in 19th Century European Photography, which opens at The Nelson-Atkins Museum of Art in Kansas City Aug. 24, celebrates the unique and compelling ways 19th century European photographers used the medium to explore and document performance, transforming the photographer’s studio into a theatrical stage. The exhibition runs through Jan. 12, 2025.
“The subjects in this exhibition were highly influenced by popular entertainment—live theater, tableaux vivant, and dioramas—as well as tastes and trends in painting, drawing, and sculpture,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins. “These works were made in a time of anxiety about photography’s relationships to the fine arts and reflect a close intermingling between the worlds of the ‘high’ and the ‘low’.”
Visiting a photographer’s studio in Europe in the mid to late 1800s was like going behind the scenes of a theatrical production. Props, backdrops, costumes, curtains, and controlled lighting converted otherwise ordinary portrait sessions into staged productions. Whether working in their homes or commercial studios, photographers cast themselves, friends, actors, models, and strangers in their photographs, transforming them into all types of characters, from young pickpockets to ancient Greek gods.
“These portraits are so fascinating, and I think our guests are going to be amazed at the rich creative complexity found in European photography’s first 50 years.” said Marijana Rayl, Assistant Curator, Photography.
Deliberately made, not casually taken, these staged photographs are often the result of collaborative efforts between photographer and sitter, such as with a series of portraits of Virginia Oldoini, the Countess of Castiglione. A prodigious narcissist, or perhaps just ahead of her time, the countess collaborated with the photographer Pierre-Louis Pierson to produce hundreds of portraits, directing every aspect of the picture-making process. Included in Still Performing is a very rare, hand-colored portrait of the countess.
The resulting photographs are an outstanding array of complex and compelling fictions showcasing the medium’s early creative potential.
“The subjects in this exhibition were highly influenced by popular entertainment—live theater, tableaux vivant, and dioramas—as well as tastes and trends in painting, drawing, and sculpture,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins. “These works were made in a time of anxiety about photography’s relationships to the fine arts and reflect a close intermingling between the worlds of the ‘high’ and the ‘low’.”
Visiting a photographer’s studio in Europe in the mid to late 1800s was like going behind the scenes of a theatrical production. Props, backdrops, costumes, curtains, and controlled lighting converted otherwise ordinary portrait sessions into staged productions. Whether working in their homes or commercial studios, photographers cast themselves, friends, actors, models, and strangers in their photographs, transforming them into all types of characters, from young pickpockets to ancient Greek gods.
“These portraits are so fascinating, and I think our guests are going to be amazed at the rich creative complexity found in European photography’s first 50 years.” said Marijana Rayl, Assistant Curator, Photography.
Deliberately made, not casually taken, these staged photographs are often the result of collaborative efforts between photographer and sitter, such as with a series of portraits of Virginia Oldoini, the Countess of Castiglione. A prodigious narcissist, or perhaps just ahead of her time, the countess collaborated with the photographer Pierre-Louis Pierson to produce hundreds of portraits, directing every aspect of the picture-making process. Included in Still Performing is a very rare, hand-colored portrait of the countess.
The resulting photographs are an outstanding array of complex and compelling fictions showcasing the medium’s early creative potential.
